in praise of shadow
Last weekend I was suprised to see this book in the Stedelijk. It’s an essay on aesthtics by Junichiro Tanizaki (1886-1965). Femke told me to read it for preparation, and Kenya Hara wrote about it in his book ‘designing design’.
in praise of shadow
Last weekend I was suprised to see this book in the Stedelijk. It’s an essay on aesthtics by Junichiro Tanizaki (1886-1965). Femke told me to read it for preparation, and Kenya Hara wrote about it in his book ‘designing design’.
About E-bay
Yesterday I had a meeting with a friend and colleague artist Meinbert. He is active on E-bay, with buying masks, sculptures and textiles especially from Timor. I wanted to know how it would work to sell or buy a prefab
About E-bay
Yesterday I had a meeting with a friend and colleague artist Meinbert. He is active on E-bay, with buying masks, sculptures and textiles especially from Timor. I wanted to know how it would work to sell or buy a prefab
Exformation
Inspired by the famous Japanese graphic designer Kenya Hara, I would like to use his thoughts on ‘exformation’ in the Kyoto Machiya Research. He writes about ‘exformation’ as a counterpart of ‘information’: information is about making things know. Exformation is
Exformation
Inspired by the famous Japanese graphic designer Kenya Hara, I would like to use his thoughts on ‘exformation’ in the Kyoto Machiya Research. He writes about ‘exformation’ as a counterpart of ‘information’: information is about making things know. Exformation is
Going to Kyoto
Invited by the Japanese Cultural Center in Amsterdam I’m going to Kyoto (october-november 2011) to do research on the old traditional wooden townhouses (Kyo-machiya). On this weblog I will write on a daily basis about my work. Japans cultureel centrum
Going to Kyoto
Invited by the Japanese Cultural Center in Amsterdam I’m going to Kyoto (october-november 2011) to do research on the old traditional wooden townhouses (Kyo-machiya). On this weblog I will write on a daily basis about my work. Japans cultureel centrum
Amsterdam RealTime
Tijdens de expositie ‘Kaarten van Amsterdam’ was Hannie van den Bergh een van de deelnemers aan het project Amsterdam RealTime van Esther Polak en Jeroen Kee. Gedurende week 40 liep zij elke dag met een GPS op zak om haar
Amsterdam RealTime
Tijdens de expositie ‘Kaarten van Amsterdam’ was Hannie van den Bergh een van de deelnemers aan het project Amsterdam RealTime van Esther Polak en Jeroen Kee. Gedurende week 40 liep zij elke dag met een GPS op zak om haar
