While waiting at the entrance of the Doshisha University I made this picture. not very elegant figure with a huge cigarette. When the person I was waiting for arrived, he told me it was a sign for not smoking while walking (and standing) in this area. That was the meaning Lees verder
For the last two weeks I’ve been diving into the Machiya: the tradition, the structure, the dwellers. I try to understand a little bit about the Kyoto culture in relation to the Machiya, but everything is so interwoven with each other and so different from my culture, that it’s very Lees verder
Life in a Machiya is not always fun. Yesterday night when I was reading in bed, I heard some strange scrabbling. The girl upstairs told me yesterday that she has a leaking roof, but that couldn’t happen on my floor. After I took my glasses of I saw a huge Lees verder
During the two weeks I’m in Kyoto I try to figure out why there’s such a big gap between tradition and modernity in every aspect of life in Kyoto/Japan. Sometimes reading Alex Kerr (Lost Japan or Dog and Demons) helps me understanding this incredible lack of beauty of traditional crafts Lees verder
Through our eyes we can look and observe the world around us. Sometimes we use a painting, filmscreen or photo to focus on what we should see and avoid the noise around it. Three years ago I saw the work of Job Koelewijn at de Pont Tilburg. He put a Lees verder
Taniguchi (professor at the Doshisha University) explained me one of the first days about living in a traditional japanese house. In a traditional house everything in life is takes place in the same room: day: living, eating, sleeping, all in one room year: summer, autumn, winter, spring (with differences in Lees verder
Ellie told me that there’s a Machiya transported to the Boston Children’s Museum. I found on the website images where it looked like ‘Alice in Wonderland’. This Machiya has been taken apart in Kyoto and was rebuild by Japanese carpenters in the museum (1979-1980). In an interview in the Harvard Lees verder
Culture reveals itself slowly. Every day you see new things, although your eye must have seen them before. Only when you make connections, references, relationships you can communicate and understand better the things you’ve seen. This first week is a great lesson in modesty and slow looking.
Kenya Hara states in his ‘house vision’ that the form of the sliding doors are more determined by the body than by the space. It’s the mentality that lives in a space that allows one to engage with the world with beauty and modest dignity. How to open and close Lees verder
In the japanese house you have an alcove (tokonoma) where art pieces, flowers, a paper roll or other objects of art are arranged. I read that the most important person in a meeting is sitting most closely to the alcove with his back towards it. Than I realized that the Lees verder