After one month in Kyoto my sensibility for impulses on the street is unfortunately decreasing. Part of it because I start to get used to the colors, smells, images, feelings. And part of it because now I want to arrive at a certain place for an appointment. The wandering around Lees verder
Today I saw in the National Museum of Modern Art this building made out of cardboard and wood. A teahouse with tokonoma inside presented at the entrance of the museum. Here you had to bow even deeper than at the House of Joke (see yesterday’s blog) to get inside. Students Lees verder
Two weeks ago I made a questionnaire about living and working in the machiya. I tried to cover several different field of social behavior, cultural habits, use, challenges, moods. I want to make a manuel with the qualities of the machiya for future generations (in Japan and abroad). When I Lees verder
As former generations used to sing in the Netherlands ‘brand in Mokum’ (fire in Amsterdam), in Kyoto it’s a real issue to avoid fire with so many wooden houses and temples. Nearly all the temples have been rebuild after a fire and most of them are not older than 150 Lees verder
Life in a Machiya is not always fun. Yesterday night when I was reading in bed, I heard some strange scrabbling. The girl upstairs told me yesterday that she has a leaking roof, but that couldn’t happen on my floor. After I took my glasses of I saw a huge Lees verder
During the two weeks I’m in Kyoto I try to figure out why there’s such a big gap between tradition and modernity in every aspect of life in Kyoto/Japan. Sometimes reading Alex Kerr (Lost Japan or Dog and Demons) helps me understanding this incredible lack of beauty of traditional crafts Lees verder
Through our eyes we can look and observe the world around us. Sometimes we use a painting, filmscreen or photo to focus on what we should see and avoid the noise around it. Three years ago I saw the work of Job Koelewijn at de Pont Tilburg. He put a Lees verder
Ellie told me that there’s a Machiya transported to the Boston Children’s Museum. I found on the website images where it looked like ‘Alice in Wonderland’. This Machiya has been taken apart in Kyoto and was rebuild by Japanese carpenters in the museum (1979-1980). In an interview in the Harvard Lees verder
Culture reveals itself slowly. Every day you see new things, although your eye must have seen them before. Only when you make connections, references, relationships you can communicate and understand better the things you’ve seen. This first week is a great lesson in modesty and slow looking.